I truly believe this will dramatically change the topography and scope of what is possible with live sound design and remixing. "I'm elated to partner with iZotope and unveil Stutter Edit to the world, and I can't wait to see what other producers, composers and sound designers will do with this insane new effect. "Stutter Edit exists because I wanted to step on stage with a laptop and improvise the complex and musical rhythmic effects that sometimes took me days of trial and error to create," explains BT.
IZOTOPE STUTTER EDIT TUTORIAL CUBASE GENERATOR
The Generator module creates custom noise sweeps that can be triggered along with stutter effects to build tension and create dynamics, both in live performances and studio arrangements. In addition to these trademark stutter effects, performers and producers can juggle between a multitude of rhythmic effects including gate, pan, digital distortion, delays and filters. The complex set of tools in Stutter Edit is balanced by an elegant MIDI control scheme, which makes adding effects a completely intuitive process-much like playing an instrument. Results can range from jarring to subtle: a melody can be disintegrated into a syncopated rhythmic roll, or a drum hit can be transformed into an arpeggiated scale of pitches. Stutter Edit slices audio into small fragments and sequences the pieces into razor-sharp rhythmic effects, recreating techniques that once took hours to perfect in the studio.
Stutter Edit's features revolve around an innovative live sampling engine that lets producers, laptop performers and other musicians manipulate audio in real-time.
NAMM – Anaheim, CA (January 13, 2011) – iZotope has released Stutter Edit, its first collaboration with GRAMMY®-nominated composer and electronic musician Brian Transeau (BT).
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